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ALEX WHETHAM

Alex Whetham is an asst. arts editor for The Spectrum


OPINION

Trying to avoid regret at the end of an era

I never had a chance to make The Spectrum office the home it could have been. Usually, these types of columns are a place where I should say “things didn’t turn out how I planned them, but I wouldn’t have it any other way.” But that’s simply not true.


OPINION

What’s the point of Twitter?

Like many people, I have a hard time getting out of bed without browsing social media for far too long first. This includes Instagram, Reddit, Facebook (for five seconds before I realize what I’m doing and close the app) and my least favorite: Twitter.


DJ Rozwell’s artist photo on Bandcamp. Photo: Courtesy of DJ Rozwell
ARTS

Peering through the veil of wizardry and mystery: A conversation with DJ Rozwell

With muffled samples of paranormal television, lo-fi hip-hop beats and the occasional 16-bit synthesizer comprising his signature sound, no one sounds quite like DJ Rozwell. The West Virginia hip-hop producer gained notoriety in 2014 with “None of This is Real,” a mix meant for playing on shuffle with a five-six second crossfade to replicate the randomized elements of old ‘80s text-based and rogue-like role-playing games.


Photo: Courtesy of UB Music Department
ARTS

Music department’s final ‘Brown Bag’ concert of semester to stream online

Despite the Covid-19 pandemic preventing in-person gatherings and concerts, the music department's “Brown Bag” concert series will go on as scheduled online Tuesday at 12:00 p.m. on the department’s Facebook page. Eric Huebner, UB music department’s director of undergraduate studies, will host the concert, which will run approximately an hour in length. As per the conventions of the concert series, the performers and pieces will not be announced until the concert is in progress.


Photo: Republic Records
ARTS

The Weeknd outdoes himself on '80s-influenced ‘After Hours’

The Weeknd the world knew and loved four years ago is shifting his image yet again. In the nearly four years since his last full length record, “Starboy,” Abel Tesfaye has been relatively quiet. Aside from his 2018 EP “My Dear Melancholy,” the only other art-related project he involved himself in was the Safdie Brothers-directed thriller “Uncut Gems,” which starred Adam Sandler.


John Palumbo and Rick Witkowski sit down and talk music with Alex Whetham and Justin Woodmancy. Photo: The Spectrum
ARTS

Forty-five years of progressive rock: An interview with Crack the Sky

Crack the Sky is still able to rock the stage 45 years into its touring career.  The West Virginia-based progressive rock and art rock act has a career-spanning, rotating cast of 17 musicians and 18 studio albums, a catalog which sold out the Tralf Music Hall on Friday. While they never reached the heights of Prog-giants like Yes, Rush or King Crimson, they continue to satisfy their dedicated fanbase.


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