The essence of artistic expression lies in the originality of the creator and most would agree art is a universal medium that crosses social, economic, racial, and cultural barriers.
"Young Photography: Multiple Expressions" is just that, an expression of aesthetic beauty relayed in unique and abstract ways. The exhibit explores issues like sexism, identity, repression and perception.
One particularly notable piece in the exhibit is "Trojan Funeral Sacrifice." The piece, by Bradley D. Corman and Cara Lee Cole, shows an indistinguishable animal lying in a pool of blood. The two artists were able to transform what most may have viewed as a gruesome display into a conceptual masterpiece.
The photograph is shot from a distinctive angle that distorts perception, while the image itself thrives on vivid color and animated details, which really bring this piece alive. The photo was inspired by the artists' visit to Indonesia, where they witnessed a sacrifice of livestock.
Young visionaries like Corman and Cole are "pushing the envelope" on traditional forms of art while making strong political statements, according to Exhibition Curator Deborah Jack.
"I'm really proud of this exhibit," she said.
The title of the exhibit is fitting, as Jack explained it displayed the works of a culturally and racially diverse group, traditionally underrepresented in professional photography.
Nine photos from the 160-photo collection "Here Nor There," by Jack, explores issues of transformation and adaptation.
"I'm not from here, Buffalo, or the United States, so when I go home, and return, it's always like I am trying to find my place again," she said.
"Here Nor There" shows photos taken both in- and out-of-doors. According to Jack, indistinct, interior photos represent how she feels while trying to fit into a place that is very much alive, and rapidly moving, with or without her.
The outdoor photos are extremely clear, showing that the place is always independent and self-sustaining. This crafty representation is one that many can relate to, which Jack explained was part of her goal when choosing to exhibit the series.
Other non-traditional works, such as Shelia Pree's "Dolls," which displayed two photos, are part of a larger series. These photos blended a doll and human face, and brought to light the huge differences between the two. This piece examined identity and how women - particularly women of color - struggle with conformity while trying to transform their bodies into reflections on society's opinion of beauty.
One of the exhibit's strengths is that it offers viewers a vantage point different from that of mainstream media. The stories behind each photograph jump out at the viewer, helping the exhibit deliver powerful, provoking ideas while preserving aesthetic beauty.
The exhibit runs at the UB Anderson Gallery from March 27 to April 19, 2003.
Photo: Meredith Forrest Kulwicki
